Immerse yourself in the beauty of THE TALE OF OSCAR WILDE | Pro Club Bd

I admit to being a fan of books like this, especially when they take classic stories from influential authors and add beautiful art to them. This weeks Small press in the spotlight focused on The fairy tales of Oscar Wilde, the second edition of this special Illuminated Edition beehive books. Illustrations are with Yuko Shimizu, and the book comes with an introduction of Michael Cunningham.

The campaign to fund the book is currently ongoing here crowd fundrand supporters can not only receive a new edition at a reduced price, but also a limited edition gold foil art print by Yuko himself.

Read more here:

“The Illuminated Editions series invites exceptional visual artists to reinterpret literary classics through a complete series of illustrations and illuminated letters. We weave the new art and original text to create a one-of-a-kind piece of art that tells classic stories in a whole new way. Each book begins with an original essay introduction that invites experts and innovators to explore, interpret, and contextualize the text and artwork.

We’ve been fortunate to work with some of the most visionary artists and writers working today. We have published editions illustrated by Dave McKean, Brecht Evens, Bill Sienkiewicz, Rebekka Dunlap, Jim Woodring and many more, with texts by Guillermo Del Toro, Alan Moore, Darren Aronofsky, Brooke Bolander and other luminaries.

Our best-selling and award-winning project to date is one of our launch titles: a glorious anthology of Oscar Wilde’s complete fairy tales, brought to life through the incredibly beautiful, artistic, haunting illustrations by Yuko Shimizu (BARBED WIRE BASEBALL, THE UNWRITTEN), with a lyrical Introduced by Pulitzer Prize winner Michael Cunningham (THE HOURS, A WILD SWAN).”

Take a look at some of the artwork inside The fairy tales of Oscar Wilde:

See details of other available books:

H.G. Wells‘ The gleefully blasphemous tale of human chimeras and deranged scientific curiosity is brought to nightmarish life by superior brushwork and unmatched vision Bill Sienkiewicz (Elektra: assassin, big numbers). His illuminated edition of Doctor Moreau’s Island will be accompanied by an introduction by none other than Guillermo del Toroa modern-day maker of monsters that has given us such Moreau-era horrors Pan’s Labyrinth and The shape of the water.

Algernon Blackwoods The occult sagas of the turn of the century had a great influence on many 20th century masters, including HP Lovecraftwho believed his masterpiece The willows was the greatest supernatural story in all of English literature. But in the 110 years since it was first published The willows has flown in and out of print without the widespread recognition it deserves. But now the acclaimed cartoonist and graphic artist Paul Pope (Batman Year 100 Fighting Boy)whose vigorous brushwork seems to squirm and vibrate on the page brings this tale to life along with four other classic Blackwood horror stories.

The popular classic fantasy adventure Peter Pan has been adapted countless times for film, stage and spin-offs, but it has never been seen as depicted by the famous Belgian cartoonist’s watercolours Brecht Evens. This lavish version of Barrie’s enduring masterpiece takes an inventive approach to world building and treats Neverland as an imaginative space with endless possibilities to explore. Pirate ships, lost cities, fairy societies, unknown beasts and magical creatures – each of which, as Barrie wrote, “lies somewhere between reality and anything we’ve ever dreamed of”.

The Burning World is one of the most fascinating, unusual and amazing pieces of literature in the English language. Written in 1666 by Margaret Cavendishthe Duchess of Newcastle, The story follows a young woman who is transported to a world of beastmen, becomes their empress, and eventually leads an invasion back into her own world. The story involves ghost possession, astral projection, the Many Worlds Theory, and an interdimensional queer romance, making it a perfect fit for the illustrator’s mind-altering, otherworldly art Rebekah Dunlap.

Fyodor Dostoyevsky Crime & Punishment, arguably the first modern exploration of psychological realism, is not only a gem of Russian literature but also an internationally recognized classic. Now this masterpiece has been brought to life by the award-winning artist’s powerful illustrations David McKeanwhose multimedia paintings are shrouded in the specters and shadows of Raskolnikov’s fevered dreams.

The Italian illustrators known as the Balbusso twins take over F. Scott Fitzgeralds The Great Gatsby, brings out the riches, satire and sadness that permeate this saga of decadence, corruption and love. Her modern style of illustration underscores the incredible relevance of Fitzgerald’s story, which seems only to have increased over time. Her illustrations bring us into Gatsby’s world – but they also bring Gatsby into ours. With an introduction by william cain, the Mary Jewett Gaiser Professor of English at Wellesley College, specializing in American literature of the 19th and early 20th centuries.

Visionary cartoonist Jim Woodring chose to illustrate an unclassifiable 1920 novel by the legendary British writer David Lindsay. A Journey to Arcturus is a bewildering mix of mysticism, science fiction, sexual politics and outrageous fantasy, and is considered one of the greatest works of sustained, unfettered imagination ever achieved. Woodring’s drawings capture the meandering currents of interacting forces that lie behind the wonderfully mysterious prose. With an introduction by Alan Moore.

The great painter and multimedia artist Kent Williams depicts the supernatural Japanese stories of Lafcadio Hearnoriginally published in his books Kwaidan and shadowing. These books are full of ghost stories, nightmares and strange tales – of haunted forests, of monks being tormented by demons and spirits, of corpse brides, man-eating goblins and undead samurai. They come alive like never before under Williams’ brush. With an introduction by the filmmaker Darren Aronofsky, a foreword by the author Kyōko Yoshidaand an essay by Hearn’s great-grandson and director of the Lafcadio Hearn Memorial Museum, Bon Koizumi.

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